Photographic Bodies/Metaphors/Pathology : Flesh and Bone/Text and Image

The image appears to be a page from an artist's or designer's sketchbook, featuring a mixed-media collage and handwritten notes. 

The content combines various materials like translucent colored film squares, opaque paper cutouts, and handwritten text.

Handwritten notes mention "Spatial Practices," "Jane Bennett," and "combination of somatic effects," suggesting an academic or artistic project exploring themes of space, philosophy, and sensory experience.

The collage technique involves assembling different forms and materials to create a new composition.

It is likely a preparatory page for a larger work, documenting research and ideas.

Photographic Landscape : Architectural Form with chalk and lead.

The Human Body : Visual/Visceral   Environments~Abject(ion)s

Abstracted Geometries/The Individuation of Handwriting : Diagrams and texts for a studio setting.

Clay+Ceramic+Material Enquiry : Intuitive~Speculative~Making

Space and Subjectivity.

Collage with Glass/Documentation from Francesca Woodman.

Composition of Affective Relations.

The intuitive or affective reading may be more practical anyway.

The Light (Discursive) Studio : Immersive Materialisms.

Visual Art Archive : Russell Moreton

Making : Anthropological Objects~Fabrications on Humaning.

Tim Ingold.

Ceramics~Fired Clay.

Russell Moreton Saatchi Artist.

Waiting Room Installation 2007 : Visual Art Winchester School of  Art.

Outpost Studios, Gildengate House. Weather world correspondences, stained glass, plastic tape.

Textual Readings~Documents in Movement~Thought.

Changefulness : Clay inscriptions carried through to fired clay. 

The Sympathy of Painted Light (detail). 2025, Ceramic, 170mmW and 270mmW x 260mmH x 80mmD.

Fired Clay Books~Folded and fabricated interiors. 

https://axisweb.org/artist/russellmoreton

https://russellmoreton.com

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